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Kevin Mc, Carthy likewise looks like Stillwell's employer, who has a vital role in the finale, unforgettable for its tense game of Russian roulette. Dmytryk, among the Hollywood 10, directs Mirage with an almost recessive design. Before earning his area on the blacklist, the Canadian-born director had developed a track record for movie noir with Murder, My Sweet (1944) and Cornered (1945 ).

Since he declined, he was sentenced to 6 months in prison and fired from RKO. Dmytryk left and invested 3 years in Englandwhere he made Obsession (1949) and Give Us This Day (1949) prior to finally returning to the United States due to an expired passport. Recorded and sent to prison for contempt, Dmytryk went through another round of hearings and eventually gave evidence against the celebration members by whom he felt betrayed and abandoned.

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He returned to Hollywood and made a run of respectable productions like The Caine Mutiny and Completion of the Affair, both in 1954. Mirage came near the end of Dmytryk's career as a filmmaker, after which he turned to academia, lecturing about film and composing a number of clear-minded books on screenwriting and modifying.

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The Range staff noted the complicated plot, arguing, "Mirage starts as a secret, unfolds as a secret, ends as a mystery." A.H. Weiler's lukewarm response in The New york city Times lowered the experience to "diverting" and "fairly tight, if not specifically reliable." Even those included with the production would later on express their neutral feelings about the experience, questioning whether Dmytryk had had a look at by that point.

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It does not have any directorial design." Baker discovered Dmytryk to be "an actually bright guy and really gifted, however he was really calm and quiet throughout the making of this. It was practically as if he was suppressed." Peck's biographer Gary Fishgall wrote the star had actually felt the photo had "absence of panache." Peck stated, "It needed a much more contemporary kind of photographic method and less literalness."  This Site , who was no stranger to criticizing his directors, no doubt hoped for something more like, which he would get in his next partnership with Stone and Donen in 1966's Arabesque.